山居荷风Scenery of Lotus in Mountain
2018-10-08

Scenery of Lotus in Mountain


    "It is so fun to go out traveling that one almost forgets to come home." "We don't necessarily need musical instrument to pop up the music. We can just listen to the music of nature from the mountains and water." Since ancient times, scholars had always considered the natural landscapes as the spiritual homeland where they could do what they want and enjoy themselves. They could go either hiking or approaching to the water to see flowers and plants as well as fishes and birds. They could also get some tea, enjoy the moon in the mountain, play chess, and appraise painting as well as discuss metaphysics and Zen. In addition, they could live privately at a secluded place and engage some cultural creation activities such as writing poetry and depicting painting. They could live in seclusion and forget everything from the mundane, just enjoy the innocent landscape. In this way, the mountain life culture had been developed to be an important brand of seclusion culture. The early fact of seclusion culture can be traced back to late Shang Dynasty and early Western Zhou Dynasty regarding the story of Bo Yi and Shu Qi. They refused to eat food from the Zhou and hid in the mountain. According to Historical Records - Bo Yi Biography, "after King Wu of Zhou Dynasty settled down the turmoil of the last phase of Shang Dynasty, the world was dominated by the Zhou. However, both Bo Yi and Shu Qi felt shameful and refused to eat the food produced from the Zhou in order to obey their national righteousness. Instead they hid in the Shouyang Mountain and only ate the wild vegetables." Based on this, the seclusion of Bo Yi and Shu Qi was just a political attitude reflecting their unwillingness to cooperate with those in power at the time. Until after new generation, seclusion is no longer limited to expressing personal political attitude. It is more to reflect one's attitude towards life, and also the traditional scholars' retreat after their career failures. As a reformer of Confucianism, Mencius advocated, "When you are not successful, you can cultivate your own personal character. When you are successful, you can make the world better." This is obviously an indication of life direction for later generations of literati. In the history, Zhang Liang, Zhu Geliang, Li Ji, Liu Ji and so on, all could be representative figures who were the prime ministers during their peak career and lived in seclusion during their down time. Tao Yuanming, with his poetry, had also become the most famous hermit in Chinese history. In the late 18th and early 19th centuries of United Kingdom, there were also lakeside poets represented by Wordsworth, Coleridge, and Saosai. They denied urban civilization, longing for sentimentalism, and praising for nature. Perhaps this can also be considered as foreign country's mountain life culture. In this series, I try to express the relationship between the lotus pond and mountain with a more relaxed and comfortable attitude. During the process of my art creation, I have been inspired a lot by the ancient Chinese seclusion culture. On these pictures, I intentionally dilute the image of mountain and highlight the image of lotus pond. We can imagine sitting alone in front of the window to watch the scenery of lotus and mountain. We can also imagine walking on the mountain path to see the quiet lotus pond with distant mountain behind. In addition, we can imagine walking along with couple of friends on the side of lotus pond to enjoy the view of mountain and a breath of fresh air. Although the paintings from this series all display lotus ponds and mountain peaks, different lighting effects have been naturally formed due to diversity in time, weather, and viewing angle.



山居荷风


        “驾言出游,日夕忘归。”“非必丝与竹,山水有清音。”自古以来,文人士大夫一直将自然山水视为精神家园。他们行其所行,乐其所乐,或登山临水, 以观草木鱼鸟;或评棋品画,谈玄论禅,以清茗对山月;或结庐而居,吟诗作画, 以畅隐逸之情,俗世尘嚣抛之脑后,山水纯真自入怀抱,并由此发展出隐逸文化中的重要一支——山居文化。 

隐逸文化较早的事实或可追溯至殷末周初伯夷、叔齐不食周粟的事迹。据《史 ·伯夷列传》载:“武王已平殷乱,天下宗周,而伯夷、叔齐耻之,义不食周粟,隐于首阳山,采薇而食之。”据此而言,伯夷叔齐的隐居,更多的是表现出他们不与当时当权者合作的一种政治态度。迨至后世,隐逸不再局限于表达个人 的政治态度,更多的是表达一种人生态度,是传统文人士大夫仕途失败之后的退路。作为儒家学说的改良者,孟子倡言“达则兼济天下,穷则独善其身”,这显然为后世儒士指明了人生方向。历史上张良、诸葛亮、李绩、刘基等人,堪称达至将相、穷则隐逸的代表人物,而陶渊明则以他的诗作成为中国历史上最为著名的隐士。而在十八世纪末十九世纪初的英国,也曾出现过以华兹华斯、柯勒律治、骚塞为代表的湖畔派诗人,他们否定城市文明,向往唯情论,歌颂大自然。这或许也可视为外国的山居文化。 

在此系列中,我尝试以一种较为闲适而自在的态度去表现荷塘与山的关系。 在创作过程中,中国古代的隐逸文化给我很多的启发。在这些画面中,我有意淡化山的形象,突出荷塘的意象。想象着或独坐于窗前,临窗观赏荷风山色;或行走于山间小道,看荷塘清幽,远山云气缭绕;或与二三友人漫步荷塘之侧,观山色如娥,赏清气盈怀。此系列作品所表现的虽然都是荷塘与山峰,但因时间、天气变化与视角的差异,自然形成了各不相同的光影效果。