荷山萬象 Sights of Lotus and Mountain
2024-04-16

     Sights of Lotus and Mountain

     A mountain is considered as having extremely rich connotations in Chinese traditional culture. Its heaviness and thickness have been symbolized as the sign of undertaking responsibility. Its steep cliff and difficult path have been analogized as life with an impassable path. Its kindness and calm are like a strong and powerful embrace from family members. Its summit as high as reaching through the clouds has been considered driving people with strong emotions when they are lonely. In Chinese culture, mountains have always been mentioned in parallel with water and both are collectively called "landscapes". It refers to the place where it is the creator's favorite and most beautiful natural scenery. In addition, some people also like to use the term "River Mountain" to refer to the land of a country. Under the traditional culture, mountains and water are also considered as having a temperament which connects with humanity. Confucius believes, "people with wisdom love water and righteous people love mountains; wise people know how to be flexible and righteous people have peace of mind; smart people are always happy and righteous people have long life." (quotation from “The Analects of Confucius”) Although his comment has different interpretations, it all ends up at the same conclusion of connecting landscape to people's personalities. Landscape painting has eventually been considered as the most "predominant" branch of Chinese painting mainly due to this kind of emotional connection, even though it has not become an independent division until Sui and Tang Dynasties.

     The lotus is an aquatic plant which has a natural blood relationship with water. People would naturally think of a lotus pond when they talk about the lotus. They would think of the water under a cluster of lotus leaves, which is either clear or muddy, silently nourishing the boundless green leaves. Due to this cultural connotation, I have tried to put the lotus pond and mountain into the same picture and used oil painting to express another kind of landscape of feelings. The lotus pond and mountain peak are considered as the sign of gentleness and rigidity. They both seem to be different; however, they can see themselves through each other like the two sides of the world. The change in the atmosphere between heaven and earth is indeed reflected by the hazy landscape of the mountains as well as the ups and downs of the greenery of lotus ponds. I try to use these pictures to show the deep cultural connection between the lotus and mountain through various changes of shape and color. In this way, I can explore another possibility of creating landscapes of oil painting from the themes of lotus and mountain.


荷山萬象 

山在中國傳統文化中具有極之豐富的內涵。它渾厚凝重,象徵著責任、擔當;它陡峭難行,譬喻著百折不回的人生;它寬厚沉著,宛若親人強而有力的臂膀;它高聳入雲,常使人於孤獨時產生共鳴。在中國文化中,山還常與水相提並論,合稱山水,意指造物者所鍾情之自然佳處;或稱河山,泛指一國之國土。山與水在傳統文化中還是具有性情的,與人性相通。如孔子就認為:“知者樂水,仁者樂山;知者動,仁者靜;知者樂,仁者壽。”(《論語·雍也》)這句話雖然有著不同的解讀,但相同的都是將人的性情與山水相聯繫。正是因為這種感情上的關聯,故而山水畫雖然要到隋唐始獨立成科,卻最終發展成為中國畫中最為“顯赫”的分支。


荷花是水生植物,與水有著天然的血脈之親。想到荷花,自然就想起荷塘,想到擁擁簇簇的荷葉之下,那或清或濁、默默滋養著這無邊綠意的水。緣於此種文化內涵,我嘗試將荷塘與山峰置入同一個畫面,借油畫以表現另一種山水情懷。荷塘與山峰兩者一剛一柔,一壯美一温婉,看似截然不同,卻如同世界的兩個側面,能夠通過對方觀照自我。山間煙嵐變幻,荷塘綠意起伏,所反映的其實都是天地之間的氣息變化。我試圖通過這些畫面,從造型、色彩的種種變化,表現荷、山之間潛藏於文化深層的聯繫,從荷與山的題材探索油畫山水的另一種可能性。





遊山賞荷 Sightseeing 2018 年 100×140cm  39.4×55.1in




領略荷山雙絕色 Exceedingly Beautiful Lotus and Mountain 2018 年 60×60cm  23.6×23.6in